House of Leaves

It is far too early in the morning as I am writing this, but I cannot sleep. I will try again after writing this.

I just read Mark D. Danielewski’s House of Leaves, and was profoundly affected by it, more so than any other thing I have read in my life. I don’t even want the book near me. It terrified the daylights out of me, and struck a nerve deep within my heart that I didn’t even know existed.

I must confess, I didn’t read the entire thing. I doubt anyone has. It is ergonic literature, meaning that part of the art form of the book is in its layout, with text spaced oddly, upside down, and sometimes illegible. I was forced to read this book for my Monster Theory class, and so did not feel compelled to read the entire thing, so I skipped most of the notes on Johnny Truant’s story, skipped the appendices entirely, and focused almost entirely on the focus of the piece, the Navidson Record. Maybe if I had read the other parts of the story, the impact of the book would have been mitigated (in some instances, the fear was definitely lessened by the odd manner of storytelling; in other cases, it greatly increased), but somehow I doubt it.

The book is about many things, and like the titular House, everyone probably sees it differently. To me, it was about the horror residing within the unknown within ourselves. The House was a very deep allegory to the subconscious and the hidden depths within us to me. I am writing a paper on the Theban Sphinx for that same class, so perhaps my interpretations of her as the guardian of forbidden Human knowledge about themselves is affecting my interpretation, but there seemed to me to be many parallels between the Sphinx and the House; the Sphinx asked a riddle about the nature of man, and the House itself was a riddle about the nature of self.

When confronted with the House – and therefore the question of who you really are and what you mean – there are different reactions. Most notably, Navidson himself perseveres and confronts himself, and his wife does the same, albeit less blatantly, and together they reach some form of closure. Holloway, the hired explorer, on the other hand, goes mad and runs away from himself after shooting (accidentally) his assistants, and takes his own life in the end, unable to deal with himself.

The yawning empty abyss of the house, its labyrinthine, ever-changing corridors, and the sense of being lost within one’s own self and one’s own world hit me on a level I cannot describe. Call me a wimp, a coward, or whatever you will, but that book did something profound to me, and I am terrified of the abyss that it opened before me.

If you want to, give it a try, but don’t say I didn’t warn you. I don’t want to be near even the physical copy of that book because of what it recalls in me. It is sitting way outside my room right now. I don’t want to go near it.

I am just not ready to face myself.

“The Woodsman” Revisited and #Writemotivation (Lack of) Progress

So, I was looking over my “finished” first draft of “The Woodsman,” and realized that, frankly, it’s awful. I did not enjoy reading it. The first half of it was very good, I thought, and did a good job of developing the characters who will die later in the story. The second half, however, because it was a little bit rushed, was choppy, didn’t flow, and came out of nowhere.

As such, my main project for the months of April and May will be, I think, to revisit this story and fix the second half. I have outlined it and given it a much better shape than it has now, I think; and hopefully it will be scarier. I’m excited to look it over, so next month be prepared for updates on it!

Also, I wish to take this time to address #writemotivation. I am failing utterly at the moment, due to pressures (I can’t write under stress) and university work hitting me really hard in the last week before spring break. I hope to get a lot of writing done over said spring break, but for now consider me behind; I’ve hardly written anything at all in Tal’kan. Here’s to catching up soon, though!

Now, to catch some much-needed sleep!

#Writemotivation Check-In and “The Woodsman”

So, it’s been a little bit more than a week since #Writemotivation started on March 1st, and I am pleased to announce that some progress has been made!

I have completed my first goal for the month – to finish my short story “The Woodsman.” I have completed the 10,405 word story as of tonight. I think it could have been better, but that’s what edits are for!

As it stands, the story is extremely confusing (partly intentional – it’s one of those tales where you have to pay attention and think about it after you’re done reading), without everything every being fully explained, and a purposefully incomplete ending – the reader gets to choose their own ending. When I started out on the story, I was intending for it to be a scary zombie story, with a single, lumbering zombie as the foe. Unfortunately, it didn’t really work out that way, so I’ll have to write that story another time. “The Woodsman” as it is right now is a social commentary combined with horror story featuring Cynocephali – dog-headed men. Of sorts. It will likely undergo extensive rewrites in the near future, and I intend to put a lot of effort into this story (I say right now). For now, though, I will let it stew while I focus on my next goal for #writemotivation: writing 8,000 words a week on Tal’kan, my next novel in the Juxian Mythos! I have written 139 words in it so far, and I hope to finish up the rest of my words for this first “real” week by Sunday! We’ll see how that works out.

So, because of schoolwork, depression attacks, illness, and a host of other factors, I am behind. But I’m not as behind as I could be, and for that I am grateful! How is everyone else doing?

An Update on The Libel of Blood and Dark Aeons

Hey everybody! I know I haven’t been in around in a while (again), for which I apologize, but life decided to punch me in the gut and I’ve been scrambling to get my breath back. As such, there have been far fewer posts here than I would have liked, and I am behind on many things.

Firstly, Dark Aeons is still being edited (many, many thanks to Jacob G. Adams for helping me out so much here), but hopefully will be out by the end of May at the latest (I’m hoping for the end of April, but we’ll see).

The Libel of Blood‘s text is still finished (I haven’t regressed yet), and is currently still waiting on its cover art from the amazing Sarah Kindler. Unfortunately, she has also been punched in the gut by life (in the form of pestilence), and so is still working on the cover. Hopefully this won’t take that long, and once that’s done, whenever it may be, The Libel of Blood will come to an online bookstore near you!

Also, I would like to take this time to point you towards my side project Astral Tide if you haven’t already looked at it; a free online web fiction series set in a Lovecraftian post-apocalyptic collapsing universe. Intrigued? Good! We just started our second series: Astral Tide.

Ta-ta for now!

The Purpose of Existence

Existence is a funny thing. It’s both a blessing and a curse. It is a blessing in that it allows us to have consciousness, something what we couldn’t have without existence, and it allows us, through this consciousness to experience the reality of the world around us, tempered by our language, thoughts, emotions, and intuitive connections. On the other hand, reality traps us by the very things that set us free: we are restricted by the filtering screen of our language which structures out thoughts (thank Jacques Lacan for this one), and by our own physical bodies which currently provide out only way to experience existence. We are also trapped, by our existence, in the reality of our cosmos, and we are unable to escape from it. Who knows if Hell exists or not, and if it does, we are at the mercy of the universe. The universe can cause us great pain, and we can’t ever know while we are alive if there is any escape. The universe might not even be real, in the sense that we would conceive of it being real (and would it all be real if we couldn’t perceive it?).

So, existence is a blessing and a curse (being a pessimist, I generally view it as more of a curse, but I definitely see the upsides…). But no matter what we think of it, we are all stuck existing (for those of us who do exist, anyway), so we might as well make the best of it. But what exactly is making the best of existence? In essence, why are we here? Why do we exist?

Do we exist to be happy? Maybe, but would not many people be happier if they didn’t exist? More people on this planet are miserable than those who are happy. If happiness is the purpose of existence, we’re doing a miserable job at it.

So then, maybe we exist to bring happiness to others? This statement implies that, on some level, happiness is the purpose of existence. We have also done a really bad job as a species of fulfilling this, as well. And if happiness – whether giving or receiving – is the purpose of existence, what does the universe have to gain from it?

Is existence, then, an accident? Are we meant to exist at all? How long will we continue to exist? Does our existence matter?

I would argue that there is a purpose to existence. If you follow my EsoTarot blog, it may become clear to you that I am a pantheist (A Universalist Qabalistic Druidic Pantheist, to be more precise). I believe that the universe is itself at least semi-conscious, and so that it had some purpose – whether it knew it or not – that we were being created. And so it – or the subconscious forces driving the mind of the universe – created our existence and our consciousness.

And why? Perhaps my vocation biases me, but I believe that the purpose of our existence is to create. That is one thing we do well. We also destroy very well, but sometimes (not always, mind you, but sometimes) the very act of destruction  is what begots creation.

Humanity has created many, many things, and creation is the driving force behind society. We created civilization. We created the concept and practice of agriculture. We built cities. We built boats. We built empires. We (unfortunately) built nations. We built barriers to separate us from them. We painted pictures. We wrote works of literature. We built rockets. We created poetry. We sang songs, we played music, we performed and wrote plays. In factories, we have created cars, knick-knacks, appliances, and the other trappings of capitalist civilization. Even the factories are things that we built.

So then, what has the whole of human history been revolving around? The act of creation. What is the purpose of life other than to create? We create happiness. We create joy. We create sadness. Without creation, our lives are hollow. Even our children are creations, shaped as they are by those who raised them. We were meant to fill the universe – our creator, and the energy, will, and spirit that surrounds us all – with meaning by performing our own acts of creation.

And that is why I write.

#WriteMotivation!

So, I’ve had a bad week, month, day, life, whatever you want to call it. My writing has ground to a standstill for various reasons (university being one of them), and I want to kickstart it into gear again! As such, I am trying out K. T. Hanna’s #writemotivation (see this page for more details)! Essentially, as far as I understand it, a group of like-minded writers are gathering together on the interblogoworldwidenetosphere to encourage each other to meet personal, reasonable, self-set goals, using Twitter and blog posts. A simple yet brilliant concept, and actually much like National Novel Writing Month (which I am an avid devotee of/Municipal Liaison for), except personalized, with a different community, and far less stressful!

My personal goal for the month of March – when I shall be participating – is to finish my short story “The Woodsman,” and then write 8,000 words a week in my novel Tal’kan, for a total of at least 32,000 words written in it this month! That should give me a push to come closer to finishing it (it currently sits at 30,000 words; I hope to more than double that!).

So, let’s see how this goes! Good luck everyone participating, and I hope you’ll wish me luck too!

A Brief Reflection on My Writing Thus Far

As I am preparing for the release of The Libel of Blood in the near future, I have been thinking about how my writing has evolved over time to get me to the point I am at now. I believe that I have improved quite a bit since setting out on my journey.

I started out writing Fan Fiction in the Warhammer universe, and while on the forums I frequented it was lauded as good, it was contrived, formulaic, and serial, lacking any real substance and very limited continuity. However, the writing itself got better and better, until I think the year before I went to university it got rather good.

Then university came, and I decided to start writing in my own universes. I began with the first few chapters of Final Judgment, a book that will not be released for a long time. This book stars the shivvos, and marks the end of the Juxian Mythos universe. I shelved this project when I learned of NaNoWriMo, and decided to instead write a novel in a month.

And thus was born The Loneliness of Stars. It was written in a month, with another month of editing, and a second edition released a while after that. It was originally filled with typos (most of which – but not all of which – were cleared out in the second edition), and had very contrived plot sequences and caricatured characters. I went out of my way to create plot twists, and as my editor commented, you could practically hear me saying “and then suddenly surprise!” in my head. Many twists and turns seem contrived – at least to me – and most of the characters lack depth (main character aside). Many of the characters, despite being on a ship, don’t wear uniforms and instead wear ridiculous outfits reflecting their caricature. What was I thinking (fortunately, in subsequent books uniforms are more prevalent.)? It was also my first ever foray into the first-person, and I did it for an entire novel. It was an interesting experiment.

Still, despite these things – and the semi-directionless plot of the novel – the mechanics of the writing were good and I have been told it was an enjoyable read. Not bad for a first novel.

I originally had intended The Loneliness of Stars to be a one-off book, set in its own universe. Unfortunately, I found myself unable to tie up the plot-line effectively in one novel, and so in the middle of writing it decided not only to make it part of the universe of Final Judgment, but to extend it into multiple books. A trilogy, no less.

And so The Light of Civilization was born. This book was written over many months, and you can actually watch my writing improve as the book goes on. It picks up immediately where the first book leaves off, and serves as a grand introduction to the Juxian Mythos; it’s essentially a guided tour of the universe. It has a lot of infodumps in it, but the plot twists no longer seem contrived, the characters are much deeper, and the world much more developed. The Light of Civilization is much more well-written and executed, and I have heard it is more enjoyable than the first. I planned out more of the arc of The Light of Civilization than I had for The Loneliness of Stars, and I think it showed.

My horror short-story writing began while I was writing my second novel, and I believe that the writing skills I learned while writing these (characters, suspense, sentence structure awesomeness, and how to evoke feelings of horror) manifested themselves in The Light of Civilization (particularly in the scene with the Cult of the Final Apocalypse). I also was able to create a more effective monster in the form of Psy. The horror stories I also think are my best work; “The Winds of Madness” is my personal favorite of everything I’ve ever written.

The Libel of Blood is even better than the first two. It’s paced like a horror novel and is very back-heavy, but at this point I think I have managed to master the plot twist, so that it can come across without seeming contrived, and at the same time my character development skills have grown even greater (Roland van der Tyke, the villain of this book, is an example of a character who benefited from this improvement). I was able to find ways to avoid the infodumps in The Light of Civilization, and created an intricate and detailed world in this book. The pacing may seem a bit odd, and it is very back-heavy, but the structure is able to keep you reading until the huge climax at the end. This story was greatly influenced by my horror.

So, the point of this? I’ve gotten better. A lot better. If you read my three current novels, you will see the difference – and I hope you do consider picking them up and reading them.

Revive

I just finished horror author Thomas James Brown’s latest novel, Revive, a zombie novel with an interesting twist. After finishing the entire work, I think a more accurate classification would be a coffee shop novel with zombies. The heart of the story is, I would argue, made of three characters: Tammy Becks, a young adult struggling to keep her sick mother and rambunctious younger brothers fed through her job at the eponymous coffee shop; Phil, an ex-construction worker trying to keep his only family alive by working as a mall Santa and a regular frequenter of the coffee shop Revive, and the coffee shop itself. The zombies, to me, seem like a secondary element meant to demonstrate certain things about the above three mentioned characters.

This is not to in any way degrade the structure of the novel or the portrayal of the zombies; it was all masterfully done, and presented zombies in an entirely unique and different, fascinating light. I was pleasantly surprised at the logic behind the zombies; Mr. Brown clearly demonstrated his creativity in thinking them up.

As with his previous novel, Hell’s Water, Thomas Brown’s latest work showcases his character development skills. Every single character that appears in Revive is well-thought out; there are no caricatures, and every character adds something to the story that no one else does. Even the peripheral characters, such as the guests in the coffee shop, really come to life, and you can feel their pain as the horror unfolds. The character development that goes on with regards to Tammy Becks is phenomenal, and Phil’s is almost as good. In Phil’s case, I wish that Mr. Brown had spent more time on the character’s past, though even without that, he was still a very well-done character.

I don’t want to say too too much more in order to avoid spoiling the plot, but if you’re reading and expecting zombies from page one, think again. This is not a zombie apocalypse novel; it is a horror novel. It is paced like a horror novel; a lot of suspense (and, unusually for horror, character development) fills the first three-quarters of the book. The ending seemed a little bit rushed, and I think the novel could have benefited from expanding the last thirty or so pages into a longer sequence in order to more fully explain the events behind what happened at the coffee shop; as it was, it took a re-reading to catch some details.

Overall, Revive was a very, very, very enjoyable read, and extremely difficult to put down. Mr. Brown manages to draw you into the novel very quickly, and you feel for Tammy, Phil, and everyone else as if they were your own friends. He inserts just the right amount of humour to contrast with the horror, and effectively uses the zombies to illustrate human nature. And the twist at the end left me horrified, shocked, appalled, and applauding Mr. Brown’s cleverness – all good things in the horror genre.

If you have the time and money, definitely consider picking up a copy here.

Visit Thomas James Brown’s site here.

Battlestar Galactica

I just finished this highly-acclaimed science fiction soap opera. I entered it originally with the mindset of comparing it to Babylon 5, which definitely colored my perceptions of it at first, but in the end I stopped doing so, and let it stand on its own.

It didn’t stand for very long.

Funnily enough, I enjoyed the show most when I was comparing it to Babylon 5. The show started off very, very strong, especially with the opening miniseries, and then very quickly started to fall apart. It picked up again in the third season opening miniseries, and then just as quickly fell down again.

The main problem I had with the show was a lack of cohesiveness and direction. I think this show suffered from having too many writers. It was trying to have a four-season story arc, but after season 2, it kind of stopped being completely coherent, and every episode pulled me in a different direction, both plot and character-wise. This had the result of quite a few deus ex machinas in there; the existence of the “Colony” really irked me. Suddenly, amazing superpowerful Cylon base. And they never mentioned this before why, exactly? And then the whole religion and prophecy as a plot device  tendency got irritating very quickly.

It was an incredibly frustrating show to watch, as it had so much potential and wasted it every time. I never liked any of the characters except Dr. Cottle and Romo Lambkin. Whenever I did start to like a character, they would so something that made me hate them again. This made it very hard to keep coming back and watching.

Despite all of these drawbacks, though, it had some good parts. The acting was phenomenal. The characters were sometimes deep, and sometimes shallow; it really varied, and like I said before, each episode sometimes changed the character so much they were hardly recognizable. The special effects were also good, and some of the questions it brought up were also very good.

In the end, however, I did not enjoy it. The world and background appeared underdeveloped, the plot flew all over the place, and a lot of it seemed contrived. It had really good episodes, and a lot more really bad episodes. I just feel like the potential of the plot was squandered in its execution.

Onto my next project: Farscape!